Mundus’ rule over the word is being challenged by a group called the Order, who bear a striking resemblance to Anonymous, and Dante ends up being dragged into this conflict after an attempt is made on his life.
Mundus is the villainous king of demons, and plays the part of a world dominating banker who has enslaved humanity through various nefarious means. Dante is a cynical hot-headed young man with a lot of anger while Vergil is his polar opposite, refined and logical. This is not a story that is going to stoke any nostalgia in Devil May Cry fans, as it is completely its own thing and has its own identity. Names like Dante, Mundus, and Vergil return, but the characterisations and roles are different, as is the setting and style.
The level of writing is solid and succeeds in exuding the style that Ninja Theory were hoping to captureĭMC takes a very different approach to its narrative than the previous games in this series, and it is in this area that Ninja Theory make it their own and show the complete scale of this reboot as being a completely independent game from all that came before it. It has been portrayed by these people as an insult to loyal fans, and as a watered down version of the combat in the original 4 titles, but once you actually sit down and play DMC Devil May Cry you may find all of its components falling into place to create a surprisingly fantastic experience that surpass expectations. It has had some rough entries in its history but despite this the series is held in reverence by a core fan base, and it is from this source that the disdain for the Ninja Theory rebooted DMC is coming. Devil May Cry is one of the big names in the Capcom roster of franchises and is commonly held as the pinnacle of its genre, along with Ninja Gaiden.
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